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莫瑞斯|Maurice

第6章|Chapter 6

属类: 双语小说 【分类】双语小说 -[作者: 爱德华.摩根.福斯特] 阅读:[4456]
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All that day and the next Maurice was planning how he could see this queer fish again. The chances were bad. He did not like to call on a senior-year man, and they were at different colleges. Risley, he gathered, was well known at the Union, and he went to the Tuesday debate in the hope of hear-ing him: perhaps he would be easier to understand in public. He was not attracted to the man in the sense that he wanted him for a friend, but he did feel he might help him—how, he didn't formulate. It was all very obscure, for the mountains still overshadowed Maurice. Risley, surely capering on the summit, might stretch him a helping hand.

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Having failed at the Union, he had a reaction. He didn't want anyone's help; he was all right. Besides, none of his friends would stand Risley, and he must stick to his friends. But the re-action soon passed, and he longed to see him more than ever. Since Risley was so odd, might he not be odd too, and break all the undergraduate conventions by calling? One "ought to be human", and it was a human sort of thing to call. Much struck by the discovery, Maurice decided to be Bohemian also, and to enter the room making a witty speech in Risley's own style. "You've bargained for more than you've gained" occurred to him. It didn't sound very good, but Risley had been clever at not letting him feel a fool, so he would fire it off if inspired to nothing better, and leave the rest to luck.

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For it had become an adventure. This man who said one ought to "talk, talk" had stirred Maurice incomprehensibly. One night, just before ten o'clock, he slipped into Trinity and waited in the Great Court until the gates were shut behind him. Look-ing up, he noticed the night. He was indifferent to beauty as a rule, but "what a show of stars!" he thought. And how the foun-tain splashed when the chimes died away, and the gates and doors all over Cambridge had been fastened up. Trinity men were around him—all of enormous intellect and culture. Maur-ice's set had laughed at Trinity, but they could not ignore its dis-dainful radiance, or deny the superiority it scarcely troubles to affirm. He had come to it without their knowledge, humbly, to ask its help. His witty speech faded in its atmosphere; and his heart beat violently. He was ashamed and afraid.

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Risley's rooms were at the end of a short passage; which since it contained no obstacle was unlighted, and visitors slid along the wall until they hit the door. Maurice hit it sooner than he ex-pected—a most awful whack—and exclaimed "Oh damnation" loudly, while the panels quivered.

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"Come in," said a voice. Disappointment awaited him. The speaker was a man of his own college, by name Durham. Risley was out.

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"Do you want Mr Risley? Hullo, Hall!"

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"Hullo! Where's Risley?"

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"I don't know."

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"Oh, it's nothing. I'll go."

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"Are you going back into college?" asked Durham without looking up: he was kneeling over a castle of pianola records on the floor.

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"I suppose so, as he isn't here. It wasn't anything particular."

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"Wait a sec, and I'll come too. I'm sorting out the Pathetic Symphony."

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Maurice examined Risley's room and wondered what would have been said in it, and then sat on the table and looked at Durham. He was a small man—very small—with simple man-ners and a fair face, which had flushed when Maurice blundered in. In the college he had a reputation for brains and also for exclusiveness. Almost the only thing Maurice had heard about him was that he "went out too much", and this meeting in Trin-ity confirmed it.

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"I can't find the March," he said. "Sorry."

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"All right."

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"I'm borrowing them to play on Fetherstonhaugh's pianola."

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"Under me."

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"Have you come into college, Hall?"

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"Yes, I'm beginning my second year."

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"Oh yes, of course, I'm third."

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He spoke without arrogance, and Maurice, forgetting due honour to seniority, said, "You look more like a fresher than a third-year man, I must say."

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"I may do, but I feel like an M.A."

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Maurice regarded him attentively.

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"Risley's an amazing chap," he continued.

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Maurice did not reply.

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"But all the same a little of him goes a long way."

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"Still you don't mind borrowing his things."

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He looked up again. "Oughtn't I to?" he asked.

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"I'm only ragging, of course," said Maurice, slipping off the table. "Have you found that music yet?"

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"No."

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"Because I must be going"; he was in no hurry, but his heart, which had never stopped beating quickly, impelled him to say this.

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"Oh. All right."

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This was not what Maurice had intended. "What is it you want?" he asked, advancing.

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"The March out of the Pathetique—"

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"That means nothing to me. So you like this style of music."

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"I do."

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"A good waltz is more my style."

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"Mine too," said Durham, meeting his eye. As a rule Maurice shifted, but he held firm on this occasion. Then Durham said, "The other movement may be in that pile over by the window. I must look. I shan't be long." Maurice said resolutely, "I must go now."

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"All right, I'll stop."

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Beaten and lonely, Maurice went. The stars blurred, the night had turned towards rain. But while the porter was getting the keys at the gate he heard quick footsteps behind him.

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"Got your March?"

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"No, I thought I'd come along with you instead."

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Maurice walked a few steps in silence, then said, "Here, give me some of those things to carry."

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"I've got them safe."

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"Give," he said roughly, and jerked the records from under Durham's arm. No other conversation passed. On reaching their own college they went straight to Fetherstonhaugh's room, for there was time to try a little music over before eleven o'clock. Durham sat down at the pianola. Maurice knelt beside him.

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"Didn't know you were in the aesthetic push, Hall," said the host.

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"I'm not—I want to hear what they're up to."

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Durham began, then desisted, saying he would start with the 5/4 instead.

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"Why?"

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"It's nearer waltzes."

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"Oh, never mind that. Play what you like. Don't go shifting— it wastes time."

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But he could not get his way this time. When he put his hand on the roller Durham said, "You'll tear it, let go," and fixed the 5/4 instead.

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Maurice listened carefully to the music. He rather liked it.

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"You ought to be this end," said Fetherstonhaugh, who was working by the fire. "You should get away from the machine as far as you can."

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"I think so—Would you mind playing it again if Fetherston-haugh doesn't mind?"

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"Yes, do, Durham. It is a jolly thing."

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Durham refused. Maurice saw that he was not pliable. He said, "A movement isn't like a separate piece—you can't repeat it"—an unintelligible excuse, but apparently valid. He played the Largo, which was far from jolly, and then eleven struck and Fetherstonhaugh made them tea. He and Durham were in for the same Tripos, and talked shop, while Maurice listened. His excitement had never ceased. He saw that Durham was not only clever, but had a tranquil and orderly brain. He knew what he wanted to read, where he was weak, and how far the officials could help him. He had neither the blind faith in tutors and lec-tures that was held by Maurice and his set nor the contempt professed by Fetherstonhaugh. "You can always learn some-thing from an older man, even if he hasn't read the latest Ger-mans." They argued a little about Sophocles, then in low water Durham said it was a pose in "us undergraduates" to ignore him and advised Fetherstonhaugh to re-read theAjax with his eye on the characters rather than the author; he would learn more that way, both about Greek grammar and lif e.

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Maurice regretted all this. He had somehow hoped to find the man unbalanced. Fetherstonhaugh was a great person, both in brain and brawn, and had a trenchant and copious manner. But Durham listened unmoved, shook out the falsities and approved the rest. What hope for Maurice who was nothing but falsities? A stab of anger went through him. Jumping up, he said good night, to regret his haste as soon as he was outside the door. He settled to wait, not on the staircase itself, for this struck him as absurd, but somewhere between its foot and Durham's own room. Going out into the court, he located the latter, even knocking at the door, though he knew the owner was absent,, and looking in he studied furniture and pictures in the firelight. Then he took his stand on a sort of bridge in the courtyard. Un-fortunately it was not a real bridge: it only spanned a slight de-pression in the ground, which the architect had tried to utilize in his effect. To stand on it was to feel in a photographic studio, and the parapet was too low to lean upon. Still, with a pipe in his mouth, Maurice looked fairly natural, and hoped it wouldn't rain.

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The lights were out, except in Fetherstonhaugh's room. Twelve struck, then a quarter past. For a whole hour he might have been watching for Durham. Presently there was a noise on the staircase and the neat little figure ran out with a gown round its throat and books in its hand. It was the moment for which he had waited, but he found himself strolling away. Dur-ham went to his rooms behind him. The opportunity was pass-ing.

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"Good night," he screamed; his voice was going out of gear, and startling them both. "Who's that? Good night, Hall. Taking a stroll before bed?" "I generally do. You don't want any more tea, I suppose?" "Do I? No, perhaps it's a bit late for tea." Rather tepidly he added, "Like some whisky though?" "Have you a drop?" leaped from Maurice.

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