Part 2 Book 5 Chapter 9 The Man with the Bell 19世纪30年代的法国。富人乘坐马车,用金餐具吃喝。穷人没有工作,没有食物,没有希望——他们是穷苦人,起义一触即发。法国人民还记得1789年的法国大革命。当时,民众在巴黎街头筑起街垒,死去的人数以千计。这样的时刻又要到来了吗? 这是冉阿让的故事。他坐了19年的牢,终于恢复了自由身。可是,他怎么生活,到哪里去找工作呢?像他这样一个人,还有什么希望呢?这也是沙威的故事,他是一个督察,一个残忍的人,一个冷酷的人。他的人生只有一个目标——把冉阿让再次送进大牢。这还是芳汀的故事,芳汀和她的女儿珂赛特。她们的故事是怎样改变了冉阿让的一生?这也是马吕斯的故事。他是巴黎的一名学生,做好了为起义而牺牲的准备——或是为爱情而死。最后,还有伽弗洛什——一个在巴黎街头流浪的孩子,他没有家,没有亲人,没有鞋穿……可他的脸上总是挂着笑容,心中总是有歌儿在欢唱。 不过,我们要先从冉阿让讲起…… France in the 1830s. The rich ride in carriages, and eat from gold plates. The poor have no work, no food, no hope – they are Les Misérables, and rebellion is in the air. France remembers the French Revolution in 1789, when the people built barricades in the streets of Paris, and the dead were counted in thousands. Is that time coming again? This is the story of Jean Valjean. A prisoner for nineteen years, now at last he is a free man. But how can he live, where can he find work? What hope is there for a man like him? It is also the story of Javert, a police inspector, a cruel man, a hard man. He wants one thing in life – to send Valjean back to prison. And it is Fantine’s story too, Fantine and her daughter Cosette. How does their story change Valjean’s life? And it is also Marius’s story. He is a student in Paris, ready to die for the rebellion – or for love. And last, there is Gavroche – a boy of the Paris streets, with no home, no family, no shoes... But a boy with a smile on his face and a song in his heart. But we begin with Jean Valjean...
He walked straight up to the man whom he saw in the garden. He had taken in his hand the roll of silver which was in the pocket of his waistcoat.
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The man’s head was bent down, and he did not see him approaching. In a few strides Jean Valjean stood beside him.
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Jean Valjean accosted him with the cry:--
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"One hundred francs!"
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The man gave a start and raised his eyes.
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"You can earn a hundred francs," went on Jean Valjean, "if you will grant me shelter for this night."
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The moon shone full upon Jean Valjean’s terrified countenance.
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"What! so it is you, Father Madeleine!" said the man.
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That name, thus pronounced, at that obscure hour, in that unknown spot, by that strange man, made Jean Valjean start back.
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He had expected anything but that. The person who thus addressed him was a bent and lame old man, dressed almost like a peasant, who wore on his left knee a leather knee-cap, whence hung a moderately large bell. His face, which was in the shadow, was not distinguishable.
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However, the goodman had removed his cap, and exclaimed, trembling all over:--
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"Ah, good God! How come you here, Father Madeleine? Where did you enter? Dieu-Jesus! Did you fall from heaven? There is no trouble about that: if ever you do fall, it will be from there. And what a state you are in! You have no cravat; you have no hat; you have no coat! Do you know, you would have frightened any one who did not know you? No coat! Lord God! Are the saints going mad nowadays? But how did you get in here?"
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His words tumbled over each other. The goodman talked with a rusticvolubility, in which there was nothing alarming. All this was uttered with a mixture of stupefaction and naivekindliness.
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"Who are you? and what house is this?" demanded Jean Valjean.
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"Ah! pardieu, this is too much!" exclaimed the old man. "I am the person for whom you got the place here, and this house is the one where you had me placed. What! You don’t recognize me?"
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"No," said Jean Valjean; "and how happens it that you know me?"
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"You saved my life," said the man.
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He turned. A ray of moonlight outlined his profile, and Jean Valjean recognized old Fauchelevent.
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"Ah!" said Jean Valjean, "so it is you? Yes, I recollect you."
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"That is very lucky," said the old man, in a reproachful tone.
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"And what are you doing here?" resumed Jean Valjean.
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"Why, I am covering my melons, of course!"
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In fact, at the moment when Jean Valjean accosted him, old Fauchelevent held in his hand the end of a straw mat which he was occupied in spreading over the melon bed. During the hour or thereabouts that he had been in the garden he had already spread out a number of them. It was this operation which had caused him to execute the peculiar movements observed from the shed by Jean Valjean.
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He continued:--
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"I said to myself, `The moon is bright: it is going to freeze. What if I were to put my melons into their greatcoats?’ And," he added, looking at Jean Valjean with a broad smile,--"pardieu! you ought to have done the same! But how do you come here?"
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Jean Valjean, finding himself known to this man, at least only under the name of Madeleine, thenceforth advanced only with caution. He multiplied his questions. Strange to say, their roles seemed to be reversed. It was he, the intruder, who interrogated.
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"And what is this bell which you wear on your knee?"
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"This," replied Fauchelevent, "is so that I may be avoided."
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"What! so that you may be avoided?"
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Old Fauchelevent winked with an indescribable air.
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"Ah, goodness! there are only women in this house--many young girls. It appears that I should be a dangerous person to meet. The bell gives them warning. When I come, they go.
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"What house is this?"
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"Come, you know well enough."
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"But I do not."
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"Not when you got me the place here as gardener?"
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"Answer me as though I knew nothing."
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"Well, then, this is the Petit-Picpus convent."
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Memories recurred to Jean Valjean. Chance, that is to say, Providence, had cast him into precisely that convent in the Quartier Saint-Antoine where old Fauchelevent, crippled by the fall from his cart, had been admitted on his recommendation two years previously. He repeated, as though talking to himself:--
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"The Petit-Picpus convent."
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"Exactly," returned old Fauchelevent. "But to come to the point, how the deuce did you manage to get in here, you, Father Madeleine? No matter if you are a saint; you are a man as well, and no man enters here."
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"Ah, good God!" cried Fauchelevent.
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Jean Valjean drew near to the old man, and said to him in a grave voice:--