Part 2 Book 8 Chapter 5 It is not Necessary to be Drunk in order to be Immortal
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双语小说 【分类】世界名著 -[作者: 维克多-雨果] 阅读:[104199]
Part 2 Book 8 Chapter 5 It is not Necessary to be Drunk in order to be Immortal 19世纪30年代的法国。富人乘坐马车,用金餐具吃喝。穷人没有工作,没有食物,没有希望——他们是穷苦人,起义一触即发。法国人民还记得1789年的法国大革命。当时,民众在巴黎街头筑起街垒,死去的人数以千计。这样的时刻又要到来了吗? 这是冉阿让的故事。他坐了19年的牢,终于恢复了自由身。可是,他怎么生活,到哪里去找工作呢?像他这样一个人,还有什么希望呢?这也是沙威的故事,他是一个督察,一个残忍的人,一个冷酷的人。他的人生只有一个目标——把冉阿让再次送进大牢。这还是芳汀的故事,芳汀和她的女儿珂赛特。她们的故事是怎样改变了冉阿让的一生?这也是马吕斯的故事。他是巴黎的一名学生,做好了为起义而牺牲的准备——或是为爱情而死。最后,还有伽弗洛什——一个在巴黎街头流浪的孩子,他没有家,没有亲人,没有鞋穿……可他的脸上总是挂着笑容,心中总是有歌儿在欢唱。 不过,我们要先从冉阿让讲起…… France in the 1830s. The rich ride in carriages, and eat from gold plates. The poor have no work, no food, no hope – they are Les Misérables, and rebellion is in the air. France remembers the French Revolution in 1789, when the people built barricades in the streets of Paris, and the dead were counted in thousands. Is that time coming again? This is the story of Jean Valjean. A prisoner for nineteen years, now at last he is a free man. But how can he live, where can he find work? What hope is there for a man like him? It is also the story of Javert, a police inspector, a cruel man, a hard man. He wants one thing in life – to send Valjean back to prison. And it is Fantine’s story too, Fantine and her daughter Cosette. How does their story change Valjean’s life? And it is also Marius’s story. He is a student in Paris, ready to die for the rebellion – or for love. And last, there is Gavroche – a boy of the Paris streets, with no home, no family, no shoes... But a boy with a smile on his face and a song in his heart. But we begin with Jean Valjean...
On the following day, as the sun was declining, the very rare passers-by on the Boulevard du Maine pulled off their hats to an old-fashioned hearse, ornamented with skulls, cross-bones, and tears. This hearse contained a coffin covered with a white cloth over which spread a large black cross, like a huge corpse with drooping arms. A mourning-coach, in which could be seen a priest in his surplice, and a choir boy in his red cap, followed. Two undertaker’s men in gray uniforms trimmed with black walked on the right and the left of the hearse. Behind it came an old man in the garments of a laborer, who limped along. The procession was going in the direction of the Vaugirard cemetery.
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The handle of a hammer, the blade of a cold chisel, and the antennae of a pair of pincers were visible, protruding from the man’s pocket.
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The Vaugirard cemetery formed an exception among the cemeteries of Paris. It had its peculiar usages, just as it had its carriage entrance and its house door, which old people in the quarter, who clung tenaciously to ancient words, still called the porte cavaliere and the porte pietonne.[16] The Bernardines-Benedictines of the Rue Petit-Picpus had obtained permission, as we have already stated, to be buried there in a corner apart, and at night, the plot of land having formerly belonged to their community. The grave-diggers being thus bound to service in the evening in summer and at night in winter, in this cemetery, they were subjected to a special discipline. The gates of the Paris cemeteries closed, at that epoch, at sundown, and this being a municipal regulation, the Vaugirard cemetery was bound by it like the rest. The carriage gate and the house door were two contiguous grated gates, adjoining a pavilion built by the architect Perronet, and inhabited by the door-keeper of the cemetery. These gates, therefore, swung inexorably on their hinges at the instant when the sun disappeared behind the dome of the Invalides. If any grave-digger were delayed after that moment in the cemetery, there was but one way for him to get out-- his grave-digger’s card furnished by the department of public funerals. A sort of letter-box was constructed in the porter’s window. The grave-digger dropped his card into this box, the porter heard it fall, pulled the rope, and the small door opened. If the man had not his card, he mentioned his name, the porter, who was sometimes in bed and asleep, rose, came out and identified the man, and opened the gate with his key; the grave-digger stepped out, but had to pay a fine of fifteen francs.
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[16] Instead of porte cochere and porte batarde.
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This cemetery, with its peculiarities outside the regulations, embarrassed the symmetry of the administration. It was suppressed a little later than 1830. The cemetery of Mont-Parnasse, called the Eastern cemetery, succeeded to it, and inherited that famous dram-shop next to the Vaugirard cemetery, which was surmounted by a quince painted on a board, and which formed an angle, one side on the drinkers’ tables, and the other on the tombs, with this sign: Au Bon Coing.
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The Vaugirard cemetery was what may be called a faded cemetery. It was falling into disuse. Dampness was invading it, the flowers were deserting it. The bourgeois did not care much about being buried in the Vaugirard; it hinted at poverty. Pere-Lachaise if you please! to be buried in Pere-Lachaise is equivalent to having furniture of mahogany. It is recognized as elegant. The Vaugirard cemetery was a venerable enclosure, planted like an old-fashioned French garden. Straight alleys, box, thuya-trees, holly, ancient tombs beneath aged cypress-trees, and very tall grass. In the evening it was tragic there. There were very lugubrious lines about it.
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The sun had not yet set when the hearse with the white pall and the black cross entered the avenue of the Vaugirard cemetery. The lame man who followed it was no other than Fauchelevent.
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The interment of Mother Crucifixion in the vault under the altar, the exit of Cosette, the introduction of Jean Valjean to the dead-room,-- all had been executed without difficulty, and there had been no hitch.
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Let us remark in passing, that the burial of Mother Crucifixion under the altar of the convent is a perfectly venial offence in our sight. It is one of the faults which resemble a duty. The nuns had committed it, not only without difficulty, but even with the applause of their own consciences. In the cloister, what is called the "government" is only an intermeddling with authority, an interference which is always questionable. In the first place, the rule; as for the code, we shall see. Make as many laws as you please, men; but keep them for yourselves. The tribute to Caesar is never anything but the remnants of the tribute to God. A prince is nothing in the presence of a principle.
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Fauchelevent limped along behind the hearse in a very contented frame of mind. His twin plots, the one with the nuns, the one for the convent, the other against it, the other with M. Madeleine, had succeeded, to all appearance. Jean Valjean’s composure was one of those powerful tranquillities which are contagious. Fauchelevent no longer felt doubtful as to his success.
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What remained to be done was a mere nothing. Within the last two years, he had made good Father Mestienne, a chubby-cheeked person, drunk at least ten times. He played with Father Mestienne. He did what he liked with him. He made him dance according to his whim. Mestienne’s head adjusted itself to the cap of Fauchelevent’s will. Fauchelevent’s confidence was perfect.
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At the moment when the convoy entered the avenue leading to the cemetery, Fauchelevent glanced cheerfully at the hearse, and said half aloud, as he rubbed his big hands:--
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"Here’s a fine farce!"
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All at once the hearse halted; it had reached the gate. The permission for interment must be exhibited. The undertaker’s man addressed himself to the porter of the cemetery. During this colloquy, which always is productive of a delay of from one to two minutes, some one, a stranger, came and placed himself behind the hearse, beside Fauchelevent. He was a sort of laboring man, who wore a waistcoat with large pockets and carried a mattock under his arm.
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Fauchelevent surveyed this stranger.
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"Who are you?" he demanded.
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"The man replied:--
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"The grave-digger."
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If a man could survive the blow of a cannon-ball full in the breast, he would make the same face that Fauchelevent made.
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"The grave-digger?"
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"Yes."
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"You?"
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"I."
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"Father Mestienne is the grave-digger."
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"He was."
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"What! He was?"
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"He is dead."
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Fauchelevent had expected anything but this, that a grave-digger could die. It is true, nevertheless, that grave-diggers do die themselves. By dint of excavating graves for other people, one hollows out one’s own.
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Fauchelevent stood there with his mouth wide open. He had hardly the strength to stammer:--
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"But it is not possible!"
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"It is so."
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"But," he persisted feebly, "Father Mestienne is the grave-digger."
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"After Napoleon, Louis XVIII. After Mestienne, Gribier. Peasant, my name is Gribier."
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Fauchelevent, who was deadly pale, stared at this Gribier.
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He was a tall, thin, livid, utterly funereal man. He had the air of an unsuccessful doctor who had turned grave-digger.
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Fauchelevent burst out laughing.
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"Ah!" said he, "what queer things do happen! Father Mestienne is dead, but long live little Father Lenoir! Do you know who little Father Lenoir is? He is a jug of red wine. It is a jug of St drops of perspiration trickled down from his brow.
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"But," continued the grave-digger, "a man cannot serve two mistresses. I must choose between the pen and the mattock. The mattock is ruining my hand."
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The hearse halted.
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The choir boy alighted from the mourning-coach, then the priest.