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悲惨世界|Les Miserables

Part 5 Book 9 Chapter 6 The Grass Covers and the Rain Effaces

属类: 双语小说 【分类】世界名著 -[作者: 维克多-雨果] 阅读:[104263]
Part 5 Book 9 Chapter 6 The Grass Covers and the Rain Effaces
19世纪30年代的法国。富人乘坐马车,用金餐具吃喝。穷人没有工作,没有食物,没有希望——他们是穷苦人,起义一触即发。法国人民还记得1789年的法国大革命。当时,民众在巴黎街头筑起街垒,死去的人数以千计。这样的时刻又要到来了吗? 这是冉阿让的故事。他坐了19年的牢,终于恢复了自由身。可是,他怎么生活,到哪里去找工作呢?像他这样一个人,还有什么希望呢?这也是沙威的故事,他是一个督察,一个残忍的人,一个冷酷的人。他的人生只有一个目标——把冉阿让再次送进大牢。这还是芳汀的故事,芳汀和她的女儿珂赛特。她们的故事是怎样改变了冉阿让的一生?这也是马吕斯的故事。他是巴黎的一名学生,做好了为起义而牺牲的准备——或是为爱情而死。最后,还有伽弗洛什——一个在巴黎街头流浪的孩子,他没有家,没有亲人,没有鞋穿……可他的脸上总是挂着笑容,心中总是有歌儿在欢唱。
不过,我们要先从冉阿让讲起……
France in the 1830s. The rich ride in carriages, and eat from gold plates. The poor have no work, no food, no hope – they are Les Misérables, and rebellion is in the air. France remembers the French Revolution in 1789, when the people built barricades in the streets of Paris, and the dead were counted in thousands. Is that time coming again?
This is the story of Jean Valjean. A prisoner for nineteen years, now at last he is a free man. But how can he live, where can he find work? What hope is there for a man like him? It is also the story of Javert, a police inspector, a cruel man, a hard man. He wants one thing in life – to send Valjean back to prison. And it is Fantine’s story too, Fantine and her daughter Cosette. How does their story change Valjean’s life? And it is also Marius’s story. He is a student in Paris, ready to die for the rebellion – or for love. And last, there is Gavroche – a boy of the Paris streets, with no home, no family, no shoes... But a boy with a smile on his face and a song in his heart.
But we begin with Jean Valjean...
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在拉雪兹神甫公墓里,靠近普通墓穴的旁边,远离这墓园中幽雅的地区,远离那些希奇古怪的在永恒面前还要展示死后时兴式样的丑墓,就在一个荒僻的角落里,靠着一堵旧墙,在一棵爬着牵牛花的大水杉下面,在茅草和青苔之中,有一块石板,这块石板和别的石板一样,日子一久也剥落得斑斑点点,发了霉,长着苔藓,堆着鸟粪。雨水使它发绿,空气使它变黑。它不在任何路旁,人们不爱到这边来,因为野草太高,使脚立刻浸湿。当少许太阳露面时,壁虎会出现,四周还有野燕麦围着沙沙作响,春天红雀在树上欢唱。

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这块石板是光秃秃的,凿石的人只想到这是筑墓石所需,除了使它够长够宽能盖住一个人之外,就没有考虑过其他方面。

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上面没有名字。

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但是多年前,有只手用铅笔在上面写了四句诗,在雨露和尘土的洗刷下已慢慢地看不清楚了,而今天大概已经消失了:

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他安息了。尽管命运多舛,

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他仍偷生。失去了他的天使他就丧生;

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事情是自然而然地发生,

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In the cemetery of Pere-Lachaise, in the vicinity of the common grave, far from the elegant quarter of that city of sepulchres, far from all the tombs of fancy which display in the presence of eternity all the hideous fashions of death, in a deserted corner, beside an old wall, beneath a great yew tree over which climbs the wild convolvulus, amid dandelions and mosses, there lies a stone. That stone is no more exempt than others from the leprosy of time, of dampness, of the lichens and from the defilement of the birds. The water turns it green, the air blackens it. It is not near any path, and people are not fond of walking in that direction, because the grass is high and their feet are immediately wet. When there is a little sunshine, the lizards come thither. All around there is a quivering of weeds. In the spring, linnets warble in the trees.

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This stone is perfectly plain. In cutting it the only thought was the requirements of the tomb, and no other care was taken than to make the stone long enough and narrow enough to cover a man.

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No name is to be read there.

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Only, many years ago, a hand wrote upon it in pencil these four lines, which have become gradually illegible beneath the rain and the dust, and which are, to-day, probably effaced:

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Il dort. Quoique le sort fut pour lui bien etrange, Il vivait. Il mourut quand il n’eut plus son ange. La chose simplement d’elle-meme arriva, Comme la nuit se fait lorsque le jour s’en va.[70]

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[70] He sleeps. Although his fate was very strange, he lived. He died when he had no longer his angel. The thing came to pass simply, of itself, as the night comes when day is gone.

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